The second recital of this year’s Solo Voice Ensemble Masters cohort, taught by Robert Hollingworth.

The presence of Bach is strong in this German Romantic programme. Although the choice of German texts for Brahms’ A German Requiem was unusual, the writing is steeped in counterpoint from the previous century.

The passion narrative culminates in the northern première of The Crucifixion by Tom Edney with baritone soloist Adam Hilton.

A thrilling new collaboration between The 24, Manchester Baroque and soloists from I Fagiolini.

Adam Hilton chats to Suzzie Vango (Papagena) and Stuart Overington (Halle Youth Choirs).

The final performance in the 2024/25 National Youth Choir Emerging Professional Artists Programme.

The first recital of this year’s Solo Voice Ensemble Masters cohort.

Adam Hilton speaks to Nicholas Chalmers, Sue Hollingworth and Aga Serrugo Lugo at the Sing For Pleasure conference.

Raising over £700 for a local church and a great opportunity to practice some of our repertoire before our recital in January.

The 24 is delighted to welcome two local school choirs to join them in an eclectic programme in which every work is a small piece of genius.

This workshop is open to all young singers in Years 6 to 9 from across the North East.

A wonderful day recording the new Young Composers 6 album at School Farm Studios.

Beethoven’s final symphony is also his most powerful – a manifesto for social change, political upheaval and the limitless possibilities of human artistic expression.

For anyone who loves singing in Y6 to Y9 at a state school or home schooled in the North East of England.

Music for Youth is a national youth music charity working with young people aged 25 and under across the UK.

The final concert of the academic year with LYC.

Haydn Nelson Mass with Baritone Soloist Adam Hilton.

My final concert as Conducting Fellow with Hertford Choral Society.

At the Royal Academy of Music

A day for the members of the ABRSM Youth Advisory Board to discuss the future of the organisation.

A tour to Venice to sing the Vivaldi Gloria in the city where it was composed!

The performance is conducted by inspirational conductor Sofi Jeannin, making her London Handel Festival debut in this truly unique Handel inspired event.

With its deep spirituality and ethereal beauty, the composer's most famous work offers a uniquely serene and tranquil view of death.

A rare opportunity to enjoy Handel's dramatic oratorio, Saul.